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1.6 Existence of Beauty: Aesthetics                                                           Version 1.1 March 2012

Is anything really beautiful or ugly, or is it just our personal reaction?

Is beauty just in the eye of the beholder?

Are some things objectively beautiful even if no-one ever sees them?

 

1.6 Conclusions on Beauty                                                                                             (Statement 6)

The source of beauty is not some ‘transcendent’ being and beauty is not an innate characteristic of a thing independent of all sentient beings: but beauty arises from:

●          Our shared human nature,

●          Our shared history and culture, and

●          Our desire to express ourselves and communicate.

We can debate endlessly which specific things and events are beautiful and we must make such judgments in context, because our judgments depend on our personal history and culture.

 

The next level of detail is shown in this box.  See commentary further below.

 

1.6.1   Concepts like beauty (in nature or artificial) and art (in literature, movies, poetry, music, visual arts, etc) are linked to each other.  more (later)

1.6.2   We cannot really judge the beauty of the whole universe.  The player cannot objectively critique the play.  There is no ‘transcendental’ beauty.  more (later) 

1.6.3   Beauty or artistic merit is not something that exists independently in things or events.  It comes from within us, as we react or interact with our environment.  more (later) 

1.6.4   We can list some typical characteristics of things we call ‘Art’.  We can point to external things and events and debate what is beautiful or has artistic merit, because of what we have in common.  more (later)

1.6.5   Our judgments of what is beautiful or ‘art’ have to take into account the context, such as the time and place, the history and culture.  more (later)

1.6.6   Given that context, beauty is everywhere: in nature, animals, families, communities, local heroes, in our stories, arts and crafts, and music. more (later)

 

Beauty is in the eye of the beholder, just as goodness comes from within.  It can be found in nature as well as in “artificial” works of art. 

We cannot really define what beauty is: the definitions end up being circular.  A work of art could be defined in a circular way as something made all the resources, or part of the resources are applied to produce a thing or an event that has little or no practical purpose, other than to create this sense of beauty.  But in some instances an elegant design can be seen as beautiful even though there was no intent to produce a beautiful object.  Practical tools can be beautiful.  Buildings made for a functional purpose can have features added to make them more attractive or more beautiful.

Many people associate beauty with truth, and there is some truth in this.  Good art is authentic, which means truthful, where the intent is honest.  Many mathematically and scientifically inclined people see the results of maths and science, which are an approximation to the truth, as beautiful.  E = mc2 is a beautifully elegant way of describing the relationship between matter and energy.

There is little in common with all beautiful objects, and what one person sees as beautiful another will find incomprehensible.  Computer geeks will know that some computer programs are beautiful.  Many young people find classical music (in Europe or China) boring or painful, but certainly not beautiful.  Many older people find modern hard rock music intolerable.

Cultures developed their own symbols over time, moving from rough representation, to accurate or allegorical representation to non-representative (abstract) art.  For many artistic beauty is a communication of an idea from the artist(s) to the audience.  For others, their art is an expression of their own, made regardless of any attempt to communicate this to anyone else.

Now we can debate what is beautiful and what is art and which artefacts exhibit these qualities but the common source of these sensibilities is our natural human nature.  Science and History can provide some insight into the origins of this sense of beauty:

·         Singing, music and dance may have arisen in humans (as it has in birds and some monkeys) as a pre-linguistic form of communication. 

·         Painting and sculpture arose early in human development. 

·         Narratives (in oral stories, plays, poems, novels, comics, movies, TV serials) and timeless descriptions (in poems and prose) began with the development of language.

·         Technological development now allows us to create works of art with a wide range of media.

But regardless of the evolutionary origins of a sense of beauty, and despite the fact that we may find it hard to define, and we differ on where it is to be found, we choose, to the extent that we make choices, to see some things as beautiful, awesome, brilliant or whatever, so we value beauty.

 

* * * * * * *


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Do you know of any great music that would go well with this page?

Or any of the other pages?

IF YOU DO, CLICK FEEDBACK.

It could be in any language, or have no words, or just be instrumental.  From pop, to classical, a cappella to orchestral!

Examples of the music we seek:

●   On the Tenets page, accessed from the main menu, our current choice is a Song Without Words from Mendelssohn (who died in 1847), Opus 14 Nbr 4, called Contentment.  Check it out: the Tenets conclude most times, I have a measure of content.

●   Chapter 2.3 covers the solar system and Earth’s development.  In there somewhere, surely we should be hearing Gustav Holst's The Planets, which premiered 100 years ago.  There is a movement for each of the planets.

Please tell as much identifying information as you can: a link, and/or the name of the piece and a person’s name may be enough, but if you know it please also send the artist/performer, composer/lyricist, year written, year recorded, record label, copyright owner, or similar details.

We have to worry about copyright: acknowledge it, and not infringe on it.  Music that is out of copyright, or was never copyrighted (eg like real, ie very old, folk music) is good.  Some material is ‘open source’ allowing others to use it for free.  For newer restricted copyright music we may have to seek permission to play it, but we can’t afford to pay for it.  It depends on the circumstances.  In general, copyright in text, images and music lasts for 70 years after the year of the creator's death, even if the creator does not own copyright.

We acknowledge the traditional owners and custodians of Country, throughout all colonised lands, and their connections to land, waters and community. We pay respect by giving voice to truth, values and social justice, acknowledging our shared history, and valuing the cultures of first nations peoples.

Copyright © 2008 - 2026 Trevor J Rogers, care of the address shown on this page. All rights reserved. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission from the copyright owner. Any approved reproduction is permitted only with full attribution of the source, referring to this site and this copyright notice. The moral right of the author is asserted.

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